Song Circles (aka Singarounds)

I discovered song circles back in Edmonton, probably as far back as the mid-eighties, when an expat British couple would have them monthly in their home. Not being a “performance” but rather a communal act appealed to me then and has only gained personal appeal over the years.

Personally, I think musicians that want to grow and master their craft get more out of a song circle than they might from formal lessons or watching a performance from 50 metres away. Folks have the opportunity to learn by watching and then there’s the opportunity to ask the song leader for more information.

I equally enjoy song circles comprised of newbies as I do experienced players. When “song circling” with those early in the journey of playing and singing music for fun, there is lots that I can contribute from my 50+ years of playing the guitar. When doing so with more experienced players, we can potentially create a single “magic moment” that lasts perhaps three or four minutes, when we all are in synch and enjoying each other’s company, thoroughly through the music we’re playing together.

So, Exactly What Is a Song Circle?

I had to apply to the HRM library system to host the Spryfield Sing Circle and this is what I wrote in my proposal:

A song circle (also known as a singaround) is an event where musicians, singers, and music-lovers can come together to hear, learn, and make music in a community setting. Musicians and singers sit on chairs, facing inwards in a large circle. Audience members – who are always welcome – are typically situated outside the circle. The leader begins a session by introducing the song they’re about to lead. They might provide some interesting background about the song as well as tell the musicians in the group some musical information (e.g. the key of the song or chords being used). The song leader then leads the group in a spontaneous performance of the song, with anyone welcome to join in.

The lead then passes to the next person in the circle who may do likewise, or request of the group some accompaniment to a song that they would like to sing. Alternately, they might simply pass the lead on to the next person.  (The latter typically happens when someone is not yet prepared enough to participate and will be tapped for participation in the next round.)

The song-making continues around the circle – perhaps multiple times – until the allotted time is complete.

A song circle is not an “open mic” or “open stage.” It’s not a place to show off one’s musical or vocal talents. If one can take a musical lead break within one of the songs and the current song’s leader indicates they can do so, that’s fine – but a song circle is more like a music jam than a performance.

Most song circles naturally attract musicians of the vocal and acoustic string instrument areas. Hence, guitars are the most common, followed by other similar instruments like mandolins and ukuleles. While any musician is welcome to participate in a song circle, someone playing a trumpet or full drumkit would probably not be welcomed! Since most acoustic string instruments are “chord-based,” participants typically perform with chord notation as their guide. That is, the chord names placed above the lyrics of the song wherever the chords are changed during its performance.

“Beginner” musicians are generally not welcome at song circles, mainly because their skills are not developed enough to be playing in a group and they often come to such events essentially looking for music lessons. Such people need to be dissuaded from attending because a song circle is not a group musical instrument lesson.

Song circles are a great place for both moderate and experienced musicians to learn from others; you’re sitting in a circle and can see and hear what others are doing. Moderate players (“moderates”) are more likely, however, to be following a printed (or displayed on a computer tablet) version of the songs because they’re developing their skills. Experienced players, on the other hand, often don’t need to follow anything written and are performing from memory. They also probably have developed a “musical ear” and are able to easily detect and play musical song patterns on the fly; accompanying someone playing a “new” song is relatively simple for an experienced player.

Song Circle Logo

Spryfield Song Circle

This event is held on the first Saturday of each month, from 2pm to 4pm, at the Colonel John Spry Public Library. The first edition was Saturday, October 7, 2023 and we hope and trust that the library will continue to give us the space for an indefinite amount of time.

For the Spryfield SS, I am introducing a new format that I’ve had good experience with in the past. Eventually, I hope that this SS will either evolve into another type I’d like to develop (which I’ve termed “Slow-Jam/Fast-Jam”} — but that will have to wait for now.

The format of these current Song Circles will be to begin with a typical number of five predetermined tunes. I will be the one determining which tunes they will be and I always am open to song suggestions from any regular song-circler. Each of these five songs will be displayed on a projection screen, in the programming room that we use at the Spryfield Library. The library kindly loans us the screen, LCD projector, and laptop for this purpose. Together, the group goes through the predetermined songs, with me — and anyone else with something to share — adding some background to the song and perhaps warning the group of an interesting or new chord that the song requires in its full performance.

Once those prescribed songs are done, the song circle will follow the normal pattern, as outlined in the section above.

Spryfield Song Circle
Colonel John Spry Public Library and Recreation Centre
16 Sussex Street, Halifax
First Saturday of each month, from 2pm to 4pm.

Scheduled Saturdays for the 2023-24 season are:

October 7, 2023
November 4, 2023
December 2, 2023
January 6, 2024
February 3, 2024
March 2, 2024
April 6, 2024
May 4, 2024
June 1, 2024

Songsheets for Past Song Circles

Click on a date below and you’ll be taken to a page where you can view and print the songsheets:

Slow Jam/Fast Jam Song Circle

This type of song circle is currently not part of the Spryfield Library event, nor any other song circle that I host. I have placed an explanation of it here in the hope that, eventually, we will have this type of event regularly active in the Halifax area.

I have patterned this, to some degree, on two other song circle formats that I’ve participated in and led. One part of the format comes from the regular bluegrass jams that the  Northern Alberta Bluegrass Society (in Edmonton) has done for years.  The other is from a song circle I hosted in Spruce Grove (just west of Edmonton) for many years. The ongoing success of this format will depend upon a sufficient number of both moderate and experienced players coming to each session; if one group is too few or the numbers lopsided, some adjustment may be required.

I use the term “moderate” for those players who most certainly aren’t beginners, but haven’t yet acquired the “musical chops” to effortlessly fit into most any music jam situation as those who are more “experienced.”

Song circles with a wide range of participants’ skills often become frustrating for players at both ends of the spectrum. Experts are bored and hindered because songs are simple and performed too slowly and the pace of the circle as a whole is reduced. Moderate players feel left in the dust by those performing complex songs at a faster rate.

A “slow-jam/fast-jam” song circle event allows for learning and participation by both musical levels. With the first portion of the allotted time spent the simpler and less complex songs, moderates can generally “keep together” more consistently. For most songs, chord notation of many or all of the songs will be displayed on a nearby screen via an LCD projector, and a significantly-higher level of their participation should be realized. (Twenty years ago, when I had a regular song circle running in a church hall, I would be pre-producing and using projected transparencies on an overhead projector for this purpose! Today’s computer and LCD projection technology is significantly better in this situation.)

With experienced musicians taking over for the second portion of the event, moderates then leave the circle (physically or virtually, depending upon seating and logistics) and become audience members. From their vantage points they could watch and learn as the more experienced players jammed, singing along if they felt so inclined and are welcome to do. More complex songs could also be shared as chord notation via a computer screen if the song’s leader had prepared an appropriate file.

The amount of time for a song circle varies, with most being two to three hours in length. When involved in one, the time literally goes by considerably faster than expected!

Song Circle Newsletter

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